Recent reading and other bits of waffle

Two months is a long blogging holiday to take, even by my standards. In theory I should have had lots of time to do things like blogging because I’ve only been working part-time, but this hasn’t been the case. The time has been sucked away by very important things like job applications, preparing for job interviews, going to job interviews, and watching countless episodes of Pointless.

I have read several books too, although perhaps not as many as I’d have liked. Here are my brief (and possibly distorted by the passage of time) thoughts on some of them.

Ali Smith – There but for the

I really liked this. The use of language was extremely clever. Some of the characters’ expressions have stuck firmly in my head. My other lasting impression, though, is that although it was a stunning book in many ways, it was primarily ideas-driven, and so I felt a detached admiration rather than any real engagement. I also remember feeling confused when I finished it, so perhaps the detachment came from having found it too cryptic.

Kazuo Ishiguro – A Pale View of Hills

Another elliptical novel. A very slight book in which the last few pages threw doubt over everything I had just read, in a delicious and disturbing way (it reminded me of Sarah Waters’ The Little Stranger in that sense). I’m not sure if Ishiguro quite nailed it with this novel, in the way that he did with The Remains of the Day and the The Unconsoled (which I must re-read soon). Saying that, the mood that Pale View created and left me with was strong and unique.

Hilary Mantel – Giving Up The Ghost: a memoir

An unusual, visceral, sharp and insightful book, written with inventive use of language and imagery. Mantel’s story begins as she and her husband are selling their house, Owl Cottage, and in the process will be saying goodbye to its resident ghost. She looks back to infanthood and childhood, remembering herself as a young girl and using the present tense; and then moves through her often painful and challenging experiences of adulthood. It concludes with an especially moving exploration of the ghosts of unborn children. I liked the book very much, but I think it suffered a little from what Mantel explains as ‘learned secrecy’ (“Once you have learned the habits of secrecy, they aren’t so easy to give up.”) She recalls events such as her battle with illness with candour and fullness; but other things are consciously skipped over, creating a sense of unevenness.

Haruki Murakami – What I Talk About When I Talk About Running

In a sporadic diary form, Murakami writes about the build-ups to marathons and triathlons he is going to be taking part in; about his reasons for running; and about how it relates to the process of writing novels. It’s not a memoir, but there are bits about his life connected to running (he gave up running a bar to concentrate on writing, and took up running at around the same time). I devoured it in a few days, but I downloaded the book because I recently started running, and was very interested in what he had to say about being a writer who runs. I’m not sure what anyone who isn’t interested in running would get out of reading it, as I’m not sure it is a remarkable piece of writing in itself. There were moments when I struggled to relate to it, whilst being impressed/concerned by his capacity for self-discipline and perseverance. For example, he once ran an ultramarathon of 62 miles in one day, and a marathon in the blazing heat of Greece.

At the moment I’m reading My Antonia by Willa Cather, which I’m really enjoying. I’ve never read anything by her before. My resolution not to buy new books has been forgotten, but I blame the Kindle for this. I’ve grown to love it. It’s just too easy to buy new ebooks for it, though. One of them is a new short story called I’m Starved for You by Margaret Atwood, which I’m looking forward to.

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Reading notes

I can see this being a stuttery sort of post, as I haven’t blogged since December and so I’m out of practice. But I have finished reading a few books since then, and I know that thoughts about them will keep nagging me until I write them down.

One of them was a novella I read on the Kindle, Anita Brookner’s At the Hairdresser’s. It’s part of a series called Penguin Shorts, which consists of short works published exclusively in digital format. It breaks this year’s resolution to only read books I already have, as I downloaded it a few weeks ago. But part of my brain seemed to think it didn’t count, because it was an ebook, it was cheap, and because at that particular moment I really, really needed to read Anita Brookner.

I read two of Brookner’s books, Leaving Home and The Rules of Engagement, some years ago. I found her style relentlessly intense and focused, and her analysis of the minds and lives of lonely, reserved women piercingly accurate and resonant. I don’t think I’ve ever read anyone else like her. At the Hairdresser’s satisfied my Brookner craving. It’s narrated by Elizabeth Warner, an older woman living alone in a basement flat in London, who, stuck at the hairdresser’s one day when it is raining heavily outside, is driven home by a young man who runs a car service, Chris. Her experiences from then onwards cause her to decide to make some changes to her life. The plot is very predictable, but Elizabeth’s musings on her past, and the ways it has influenced her present, are sharp, frank and often sad. It’s been said of Brookner that she writes the same book over and over again, with the same protagonists. This might be true, but because she is an expert at what she does, and because I am fascinated by her subject matter, I don’t mind, and will gladly return to reading her again and again.

Another book I finished was (a library copy of) another recently published book, The Coward’s Tale by Vanessa Gebbie. It took me quite a long time to read, and not for any negative reasons. It is a rich book, precisely written, and full of poetic and apt description. Its presentation of characters is warm and completely without judgement. It never once flags or loses its way, and so deserves to be read with care. It is set in a former mining town in Wales, and explores the tragic legacy of an accident that happened in the Kindly Light pit. The stories of the town’s surviving inhabitants, idiosyncratic, semi-mythical and shot through with almost unbearable sadness, are related by Ianto Passchendaele Jenkins, a beggar who sleeps on the steps of the town chapel. His stories are gobbled up by Laddy Merridew, a young boy who has been sent to live in the town with his gran while his parents are having problems.

The novel is (perfectly) structured around these stories, which Ianto will tell to Laddy and any other curious bystanders if they provide him with food (mainly toffees) and drink (coffee with two sugars). At the beginning of each story, I felt I needed to settle down in a comfy place with a big cup of tea and give it my full attention, because I was going to be in for a cracking (but heartbreaking) journey each time. In the interludes between stories, we find out some of what goes on in the present-day town, and learn Ianto Jenkins’s own sad story. Essentially, The Coward’s Tale is, like the feathers that one of characters keeps trying to make out of wood shavings (for his own important reasons), beautifully crafted, fragile and special.

So, two very good reads to start the year. I’m now currently reading and enjoying Hilary Mantel’s memoir Giving up the Ghost (on the Kindle), and Ali Smith’s There but for the (I only got it for Christmas, but couldn’t resist diving in.)

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End-of-year tumbleweed clean-up

I thought it was about time to brush away the tumbleweed from these pages and write what seems to be my customary monthly post, and, of course, it has to be a round-up of the books and things I’ve posted about this year.

There were two books that I really, really loved: Repeat it Today with Tears by Anne Peile, and The Weather in the Streets by Rosamond Lehmann. And there were several others I really liked, the best of which were Spring Snow by Yukio Mishima; The Terrible Privacy of Maxwell Sim by Jonathan Coe; A Visit from the Goon Squad by Jennifer Egan; The Shaking Woman, or, a History of My Nerves by Siri Hustvedt; and The Hare with Amber Eyes by Edmund De Waal.

Once again, I didn’t go to the theatre very much this year. Most of the productions I saw were good, but none of them stand out as being particularly special. I think it’ll be a similar story in 2012, because my job situation has (once again) become shaky and complicated, and I won’t have a budget for theatre in the near future at least.

All is not lost though, because this means that, in theory, I’ll have both the time and the impetus (i.e., no money) to work on the reading resolution I’ve made: in 2012, read only books that I already have on my shelves. There are many, including this lovely little pile I got for Christmas, and the others I will soon be acquiring thanks to a gift card.

Alcestis and The Night Circus were surprise presents from a friend (I know little about either); two Julian Barnes books - I've never read him but have been meaning to; and Ali Smith's There but for the, which I'm *really* looking forward to

I’d also like to use the library more, so if I have a sudden burning need to read a particular new (or old) book, I’ll do my best to get it from there rather than buy it. Hopefully I’ll be able to stick to this. I made some resolutions at the beginning of this year, and it seems I’ve actually stuck by them: I grew tomatoes from seed (proof below); and I read (a few) more books and saw (a few) more plays than I did in 2010. The other reading resolution I have is to read a lot more non-fiction. I’m being drawn towards it more than I am to fiction lately. The De Waal and Hustvedt books mentioned above were excellent reads.

Grown by me, honest!

At the moment I’m trying to cram a bit of end-of-year reading into my last bit of precious free time before going back to work, and relaunching what I’m sure will be a lengthy and arduous assault on the job market. I’ve just started Vanessa Gebbie’s The Coward’s Tale, which was a little slow to get into, but is gradually working its spell on me. Although this is Gebbie’s debut novel, I’d actually already heard of her, as I read one of her short stories, The Time it Takes, when it won a writing competition in 2005. It’s clever, powerful, and stuck with me. Anyway, I’ll be settling down with The Coward’s Tale this evening, probably with a nice cup of tea brewed in my amazing new teapot.

Amazing new teapot

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Tori Amos at the Royal Albert Hall

I’m not sure why it’s taken me so long to write about it, but I saw Tori Amos at the Royal Albert Hall a few weeks ago (that link includes several videos as well as the setlist). It was the sixth time I’ve seen her, and I say this every time, but it was the best. She just seems to get better and better at playing live.

Tori releases a new album every few years, without fail. This year it was Night of Hunters, a commission for Deutsche Grammophon, which consists of songs based on works by classical composers. It’s heavily conceptual (not unusually for Tori). It charts the psychological process of a woman during the demise of a relationship, and features Tori’s niece (Kelsey Dobyns) and daughter (Natashya Hawley) as the Fire Muse and a shapeshifting animal. As with previous albums, I probably don’t understand the concept as well as I could do: I just sort of accept it, and then listen to the music for what it is. And NoH is what I’ve hoped each album since Scarlet’s Walk would be: beautiful, complex, strange and dark. The classical element just adds to it. It’s exactly my cup of tea.

The Royal Albert Hall gig featured a lot of the tracks from NoH, with the deliciously angry, Alkan-inspired Shattering Sea as the opener. The Apollon Musagete Quartett, who play on the NoH album, were a perfect accompaniment. They also breathed new life into older songs such as Cruel and Precious Things, which were intense, theatrical performances (I loved the lighting effects throughout – although they were perhaps a bit too enthusiastic during Precious Things). Tori even let the AMQ take the spotlight with their own composition, A Multitude of Shades, telling us that “When I heard this, I knew you’d understand.”It was part eerie strings, part Irish jig, and very good indeed.

Some NoH songs came to life in a way that they hadn’t yet, for me, from listening to the album. Star Whisperer (based on Schubert) in particular was epic, satisfying genius. I also loved Tori’s choice of songs for the second encore: her captivating take on Smells Like Teen Spirit, the rarely-played Siren, and the utterly joyful Big Wheel. Tori’s performance was consistently strong throughout the show. She was energetic, clearly pleased to be there, and determined to put on a show that did justice to such a vast, stunning venue.

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Reading notes, the October edition

It was my birthday a few weeks ago. One of my presents was a Kindle. The first book I’m reading on it is Edmund De Waal’s The Hare with Amber Eyes. (How could I not be, after Victoria’s review at Eve’s Alexandria?) I’m getting through it slowly, savouring the enticing descriptions of Japan, Paris, Vienna, art, and netsuke. I like that De Waal is treating his subject so thoroughly, explaining that: “…this netsuke is a small, tough explosion of exactitude. It deserves this kind of exactitude in return.” I’m also being a bit too excitable about using the dictionary function, and highlighting passages I like.

I’m confused as to what I really think of ebooks and ereaders. I’m impressed by the technology of the Kindle, especially the screen, because it doesn’t even really look like a screen. I like the built-in functions, probably because not having to walk over to a shelf to pick up a dictionary, or get a pen to make notes, suits my inherent laziness. I also like the idea of being able to take hundreds of books with me when I travel, should I so wish. But I certainly haven’t given up hard-copy books. The thought of getting rid of all my books, and keeping all of them on one slim device, makes me uneasy. It brings to mind disasters of the iTunes variety: in the past I’ve accidentally deleted entire libraries of music, and not been able to get back some of the tracks I bought. There’s also the simple fact that I love books as objects (some more than others). And there is something a bit odd about not being able to see how many pages you have left. A percentage tracker at the bottom of the screen is not really the same.

At the moment I haven’t been able to decide what the Kindle’s place is, so I seem to just be treating it with a sort of tentative delight, as if it were a novelty pet. I’m making sure my non-digital books aren’t abandoned by tackling three of them at the same time. There’s Colette’s Chéri and The Last of Chéri, which I’ve wanted to read for ages. It’s definitely living up to expectations. I love the precision and complexity of the characterisation, and the way that the persistent sadness of Chéri and Léa’s separate suffering contrasts with the frivolity of their environments.

I’m also about halfway through Scarlett Thomas’s Our Tragic Universe. I find that I’m often thinking, when I’m reading, that I shouldn’t like it, because it sometimes seems so technically flawed. For example, the protagonist, Meg, is a novelist. She spends a lot of time trying to redraft her current novel, and we get long passages about the numerous ideas she’s had for it, all based very closely on events in her real life. It can seem very rambly. And yet, I don’t actually think it is flawed. I think, as with The End of Mr Y, Thomas is laying out carefully placed clues that are leading to some sort of bafflingly clever and unconventional revelation. I think her style is highly original, and I’m always glued to her every word, because I can relate to, but am also fascinated by, her narrators.

And there’s Katherine Mansfield’s Selected Stories, which are temporarily on hold while I finish Chéri. I’ve been in a bit of a reading slump recently, but it seems that reading several books at once is a good antidote, especially when they’re as diverse as these four.

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